Details Deliverable via email in your choice of MP3, WAV or FLAC. Newly mastered edition of jazz pianist Bill Evans‘ seventieth studio album, You Must Believe In Spring, his final recording session with bassist Eddie Gómez and drummer Eliot Zigmund. Tracklist 1. B Minor Waltz (For Ellaine) 3:122. You Must Believe In Spring 5:373. Gary’s Theme 4:154. We Will Meet Again …
Details Deliverable via email in your choice of MP3, WAV or FLAC A newly-discovered live performance by Bill Evans Trio, featuring Eddie Gómez on bass and Eliot Zigmund on drums. The previously unreleased concert took place on June 20, 1975, at Oil Can Harry’s, Vancouver, BC. Captured for radio host Gary Barclay, it was aired on his popular CHQM jazz …
Details Deliverable via email in your choice of MP3, WAV or FLAC The first-ever career-spanning collection of music from pioneering jazz pianist Bill Evans. The five-disc deluxe edition features over 60 tracks that spotlight Evans’ Riverside, Milestone, Fantasy, Verve, Warner Bros., and Elektra/Musician catalogs, plus a previously unreleased Bill Evans Trio live concert from 1975. Tracklist Disc One: Trialogues, Vol. 11. Five2. Woody’N You [take …
Details Deliverable via email in your choice of MP3, WAV or FLAC. The legend of Bill Evans really begins with this album, his second. The pianist had just spent most of 1958 as part of one of the major units in jazz history: the Miles Davis Sextet that also featured John Coltrane and Cannonball Adderley. His fellow musicians already knew …
Details Deliverable via email in your choice of MP3, WAV or FLAC Transcending the stature of a traditional reissue, On a Monday Evening is a completely unreleased and never-bootlegged concert recording of the Evans trio featuring bassist Eddie Gomez and drummer Eliot Zigmund. Played at Madison, Wisconsin’s sold-out Union Theater on November 15, 1976, the show captures the virtuoso performing …
Details Deliverable via email in your choice of MP3, WAV or FLAC One of the two most important associations in the early development of the incredible talent of Bill Evans was undoubtedly his nine-month 1958 stay with the Miles Davis Sextet that also included John Coltrane and Cannonball Adderley. The other was the year-and-a-half span in which Scott LaFaro was …
Details Deliverable via email in your choice of MP3, WAV or FLAC. One of the best albums of either’s career, The Tony Bennett / Bill Evans Album spotlights two legends at work in equal partnership, tackling classics from the Great American Songbook with masterful ease. A consistently enthusiastic and balanced musical partnership, Bennett and Evans shine both individually and in …
Details Deliverable via email in your choice of MP3, WAV or FLAC. The second album by the original Bill Evans group – released in 1961 – was recorded after the pianist, bassist Scott LaFaro, and drummer Paul Motian had spent a year working together and honing the telepathy that established a new standard for trio interaction. Featuring intimate readings of …
Details Deliverable via email in your choice of MP3, WAV or FLAC. Almost every one of the eleven albums featuring Bill Evans that were issued during his pivotal early years (1956-1964) with Riverside were trio performances. Of the two exceptions, one was strictly speaking not an Evans record (Know What I Mean?, a quartet album that featured Bill but was …